You may be asked to analyse ("appreciate" or "criticise" mean the same) an unseen poem out of context.
Here are some aspects you could comment on:
1) Topic and theme: the topic is the obvious subject (a vase of flowers) and the theme is the more abstract idea conveyed by it (the transience of life).
2) Speaker and audience: is there an evident personality or persona writing the poem and/or a specific audience?
3) Imagery: use of metaphor, simile and symbol
4) Verse form: sonnet and blank verse are the main types you should recognise. If not, note the rhyme scheme and rhythm.
5) Diction/lexis/vocabulary: notice any contrasts such as colour, the prevalence of a part of speech such as verbs, repetition, conversation, clusters of words with similar references, use of several monosyllables and overall register, whether formal or colloquial.
6) Sound effects: alliteration, assonance, onomatopoeia
7) Tone (irony etc) and mood (emotional atmosphere).
Always relate your findings to the local or total effect
A useful book defining technical terms is: The Oxford Dictionary of Literary Terms by Chris Baldick
Many are explained elsewhere on this blog.
Some useful hints about correct English and tips on literary analysis by Barbara Daniels (Doc Barbara) an ex-teacher with an Oxford M.A. in English Language and Literature and a London Ph. D
Single inverted commas
Although it is usual to enclose a word under discussion in single inverted commas, I have chosen instead to emphasise it in red to prevent confusion with apostrophes.
These posts are always short and clear so that they can be read easily on a mobile if you follow by email (the red may not show, however!) This is completely free.
These posts are always short and clear so that they can be read easily on a mobile if you follow by email (the red may not show, however!) This is completely free.
Showing posts with label metaphor. Show all posts
Showing posts with label metaphor. Show all posts
Saturday, 4 May 2013
Tuesday, 22 May 2012
Symbol
A symbol is an object which develops deeper meanings, sometimes during the course of a literary work. In "Lord of the Flies" the conch becomes a symbol of civilisation and order. Yet it is a "real" shell present in the narrative also.
In simile or metaphor the compared object is not real or present. If we speak of her "shell-like ears" there is no shell present in the discourse. Similarly in: "He retreated into his shell", there is no real shell.
In simile or metaphor the compared object is not real or present. If we speak of her "shell-like ears" there is no shell present in the discourse. Similarly in: "He retreated into his shell", there is no real shell.
Tuesday, 15 May 2012
METAPHOR
A metaphor compares two things which are not usually considered similar and finds something in common between them. It does not use the words like or as.
Example: After the storm we were cocooned in our caravan.
The caravan is not a cocoon but it is warm, protective and cosy like a cocoon.
Some metaphors are so overused that they become dead metaphors: She is a bright girl. The girl's intelligence is compared to a light but it is not a fresh way of saying this.
Example: After the storm we were cocooned in our caravan.
The caravan is not a cocoon but it is warm, protective and cosy like a cocoon.
Some metaphors are so overused that they become dead metaphors: She is a bright girl. The girl's intelligence is compared to a light but it is not a fresh way of saying this.
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