These two words are easily confused. In practice you can forget about affect as a noun (the affect) as its usage is largely psychological/medical. This leaves:
affect as a verb meaning "to change": the experience affected his attitude
effect as a verb meaning "to bring about": she effected an improvement in working conditions
effect as a noun meaning "result": the effect was just what she wanted
Some useful hints about correct English and tips on literary analysis by Barbara Daniels (Doc Barbara) an ex-teacher with an Oxford M.A. in English Language and Literature and a London Ph. D
Single inverted commas
Although it is usual to enclose a word under discussion in single inverted commas, I have chosen instead to emphasise it in red to prevent confusion with apostrophes.
These posts are always short and clear so that they can be read easily on a mobile if you follow by email (the red may not show, however!) This is completely free.
These posts are always short and clear so that they can be read easily on a mobile if you follow by email (the red may not show, however!) This is completely free.
Saturday, 25 April 2015
Sunday, 19 April 2015
The experience of reading a novel
This post will not give answers or definitions but it will examine what happens when you read a novel. In one sense you enter a contract with the author: s/he has produced a text which you will attempt to enjoy and believe in. Your role can also include filling in, with your imagination, some details which the writer has omitted but care must be taken here. Although in real life there is a possibility of knowing a fact which is not apparent immediately, such as whether or not a neighbour has a mole on his shoulder, we will never find that out about Sherlock Holmes.
The issue is one of implication and inference: the author implies and the reader infers according to the clues given. The text is therefore an object to which the reader contributes and, in that way, it is not static. (We often paint in our minds a picture of a character's appearance and are then irritated if an actor in a TV adaptation does not fit that portrait.)
The text will create a world which the characters inhabit but all we have is the words on the page. From those words we recreate this world so that the text is a link between the author's imagination and our own. Caution is needed when we respond to a character as it is easy to criticise a writer for inconsistency or making a personage do something we feel s/he would not do but this may be the fault of our over-active participation rather than a flaw in the novel.
It is possible to read on different levels: merely enjoying the narrative or examining the techniques used to achieve the result. Some writers draw attention to their own methods and remind us that we are reading fiction by metanarrative, a distancing device which can, paradoxically, make the work seem more real by insinuating that the characters are out of control since they lead their own lives.
Reading is a complex activity and your analysis will be deeper if you contemplate the process.
Sunday, 12 April 2015
Synonyms and antonyms
Synonyms are words with similar meanings and antonyms are opposites. An easy way to remember is that synonyms and similar both begin with s. You can buy dictionaries of them (e.g. Penguin) and this is a good way of improving your vocabulary but take care. Even words with close approximations differ as to register and function and so it is best to encounter them when reading before using them yourself. There is also the famous Roget's Thesaurus which gives phrases as well and is a fascinating book in its own right but even more liable to lead to errors of style.
Monday, 6 April 2015
Chiasmus
Chiasmus is not a common device but, in its simplest form, can be represented by abba, where each letter stand for a word: silvered leaves, leaves silvered with frost. It may exist in a more extended version with clauses or phrases instead of single words.
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